CHAPTERS IN BOOKS:
L. Leuzzi (2015), ‘I videotapes di Luca Maria Patella’, in L. Leuzzi, S. Partridge (eds.), REWIND early video in Italy/I primi anni del video in Italia, New Barnet: John Libbey Publishing.
L. Leuzzi, S. Partridge (2015), ‘Interview with Maria Gloria Bicocchi’, in L. Leuzzi, S. Partridge (eds.), REWIND early video in Italy/I primi anni del video in Italia, New Barnet: John Libbey Publishing.
L. Leuzzi, E. Shemilt, S. Partridge (2015), ‘Body Sign and Double a Parallel Analysis of Elaine Shemilt’s Doppelganger, Federica Marangoni’s The Box of Life and Sanja Ivekovic’s Instructions N 1 and Make up – Make down’, in V. Catricalà (ed.) (2015), Media Art. Towards a New Definition of Arts in the Age of Technology, Pistoia: Gli Ori, pp. 97-103.
L. Leuzzi (2012), Note per una cronologia della videoarte italiana. Chapter in M.M.Gazzano, Kinema. Il cinema sulle tracce del cinema dal film alle arti elettroniche, andata e ritorno, Roma: Exorma, pp. 512-518.
L. Leuzzi, V. Catricalà (2012), Tabella cronologica, in M.M.Gazzano, Kinema. Il cinema sulle tracce del cinema dal film alle arti elettroniche, andata e ritorno, Exorma, Roma 2012, pp. 527-555.
L. Leuzzi (2008), Interview to Nicoletta Boris, in Nicoletta Boris. Carta Bianca, exhibition catalogue (Florence, Università Internazionale dell’Arte; Galleria Tornabuoni, 25th September – 21st October 2008), Florence: Edizioni Polistampa, , pp.34-35.
L. Leuzzi (2008), I mosaici del re goto, Leuzzi.L, in C. Barsanti, A. Paribeni, S.Pedone (edited by), Rex Theodoricus. Il Medaglione d’oro di Morro d’Alba, E.S.S. Collane Espera, Roma 2008, pp. 131-140.
PUBLISHED PEER REVIEWED CONFERENCE PAPERS:
L. Leuzzi (2010), Beyond the catalogue. New Technologies and the documentation of contemporary art: The example of the Venice Biennale, in Starting from Venice, edited by C. Ricci, with a preface by A.Vettese, Et. al Edizioni, Milan 2010, pp. 164-170.
PEER-REVIEWED JOURNAL ARTICLES:
L. Leuzzi, ‘Interventions, productions and collaborations. The relationship between RAI and visual artists’, Journal of Italian Cinema and Media Studies (JICMS), vol. 3, issue 1-2, Spring 2015, pp. 155-170.
ARTICLES IN JOURNALS:
L. Leuzzi, Cesare Pietroiusti. Liste, classificazioni, cataloghi: istruzioni per l’uso, Rolsa Rivista on line di Storia dell’Arte, Dipartimento di Storia dell’arte. Università di Roma, n. 10, 2008.
L. Leuzzi, Elenchi, Enumerazioni ed echi enciclopedici in Sophie Calle, Rolsa Rivista on line di Storia dell’Arte, Dipartimento di Storia dell’arte, Università di Roma, n.7, 2007.
ESSAYS FOR EXHIBITIONS and TEXTS in EXHIBITION CATALOGUES:
L. Leuzzi (2016), ‘Rosa Foschi e Luca Maria Patella: fotografia sperimentazione (inter)media’, in B. Di Marino, L. Leuzzi, W. Liva (eds.), L’immediatezza del presente. Luca Maria Patella – Rosa Foschi – Marcello Di Donato, CRAF Centro di Ricerca e Archiviazione della Fotografia, Udine.
L. Leuzzi, Notes on Doppelganger , for the exhibition REWIND| British Artists’ Video in the 1970s & 1980s (Milan, Careof), curated by S.Partridge and A.Lockhart. Available at http://www.rewind.ac.uk/rewind/index.php/I-database
L. Leuzzi, E. Sbardella (eds.), (dieciluglioduemilaotto) – Anniversari di una performance 2008 >09 >10, Lulu, 2010
L. Leuzzi, Commissaires refuses de Sophie Calle, for the video installation presented at the exhibition Artefacta e le Biennali del Mondo (Centro culturale Candiani di Mestre, 27 August – 14 September 2008).
L.Leuzzi, ‘Early Video Art in Rome: video artists and collectives, exhibitions and galleries in the 70s from VideObelisco to Video 79’, in L’Émergence de l’art vidéo en Europe: historiographie, théorie, sources et archives, Bibliothèque nationale de France, Paris, 25 May
Roundtable for the Book launch of REWINDItalia, British School at Rome, 19 April 2016.
Chair of the talk Digital Art Encounters, Quasar Design University, Rome. Speakers included Cinzia Cremona, Pasquale Diaferia, Toby Heys. Event part of the 2016 BNL Media Art Festival, 15 April 2016.
L.Leuzzi & Lisa Pedicino, Presentation of ‘Mis dach ist de Himmel vo Zuri’ for the projection at ZHdK University of the Arts Zurich Cinema, oart of Action Art Conference, 5 March 2016.
L.Leuzzi, ‘Mis dach ist de Himmel vo Zuri’, Action Art Conference, ZHdK University of the Arts Zurich, 4-5 March 2016.
E. Shemilt, L. Leuzzi, ‘EWVA European Women’s Video Art in the 70s and 80s’, Curating Materiality Workshop, University of Edinburgh, 13 June 2015.
L. Leuzzi, ‘EWVA European Women’s Video Art in the 70s and 80s: da REWINDItalia a una prospettiva europea’, Media Art Festival, Rome, Città Educativa, 27 February 2015.
S. Partridge, L. Leuzzi, REWINDItalia Presentation at ‘Neon Festival 2014’ Show us your assets symposium, Malmaison, Dundee, 7 November 2014.
L. Leuzzi, Sulla re-installazione contemporanea di performance, film e video d’artista degli anni Sessanta e Settanta, “Il cinema sulle tracce del cinema”, curated by M.M.Gazzano, Nuovo Cinema Aquila (12 December 2013)
L. Leuzzi, Italian video art centres and archives: a treasure yet to discover, “Media Art Histories 2013:Renew. The 5th International Conference on the Histories of Media Art, Science, Technology” (10 October 2013).
L. Leuzzi, (dieciluglioduemilaotto): Re-enacting a Performance, at Exhibiting Performance Conference, (London, University of Westminster, 1-3 March 2013).
L. Leuzzi, I videotapes di Luca Maria Patella and the Chronology of Video Art in Italy at Symposium RewindItalia. Video art in Italy 1968-1982 (Roma, Macro Museo Arte Contemporanea Roma, 19 -20 April 2012). Papers available in English and Italian at: http://www.rewind.ac.uk/rewind/index.php/I-presentazioni
S. Partridge, A. Notaro, L. Leuzzi, La videoarte come diversità culturale nell’audiovisivo contemporaneo. L’esperienza dei Programmi di ricerca “Rewind UK” e “Rewind Italia”, “Cinema & Diversità culturale”, Teatro Palladium – Roma Tre.
Round table “Forme e Contenuti del catalogo” (Forms and contents of the catalogue), Starting from Venice (Venice, IUAV – Convento delle Terese, 5 October 2009).
SELECTED CURATED EXHIBITIONS, EVETS and SCREENINGS
Co-curation with Giulia Casalini and Diana Georgiu of Self/Portraits, Centrespace, Dundee Contemporary Arts, 9 December 2016.
Co-curation with Valentino Catricalà of the Rome Media Art Festival Screening at Visions in the Nunnery, Bow Arts, London, 2 November 2016,
Co-curation with Elaine Shemilt: Doppelganger Redux, Visions in the Nunnery, Bow Arts, London, 21 October 2016.
Curation of EWVA screening at BNL Media Art Festival 2016, MAXXI National Museum of 21st Century Arts, Rome, 13-17 April 2016.
Curation of the screenings for the REWINDItalia book launch at Lethaby Gallery,Central Saint Martin, University of the Arts London (12 February 2016) and at Centre for Contemporary Art, Glasgow (8 December 2015).
Co-curation with Giulia Casalini of the performative screening Autoritratti, at The Showroom, London (11 December 2015; part of Now You can Go) organised by the Feminist Duration Reading Group. With the support of EWVA and by the Arts Council of England, Grants for the Arts.
Co-curation with Stephen Partridge of REWINDItalia Artists’ Video in Italy from the 70s and 80s (video screenings and presentations, with a Live act by Claudio Ambrosini) at VideoEx Festival, Walcheturm Zurich, May 2014.
L. Leuzzi, Review of the book: G. Balbi, P. Magaudda, Storia dei media digitali. Rivoluzioni e continuità (2014) Rome-Bari: Editori Laterza, 182 pp. ISBN: 9788858116272, €20 in JICMS, Vol. 5, n. 1, pp. 126-128.
L. Leuzzi, Review of the book: Expanded Cinema, Tate, 2011 in “Imago”, curated by M.M.Gazzano and E.Carocci, n. 7/8, October 2013